#Brahmotsavam movie review fans movie#
One feature that strikes all through the movie is R Rathnavelu’s splendid camerawork.
Revathy and Jayasudha have lent credence to the story with their nuanced acting. Pranitha has brief role but has added glamour to the screen. She has brought lot of jest to the movie with her effervescent acting. Kajal Aggarwal has got more important role and she has looked very beautiful. Vennela Kishore in the second half in brief role also is good. But the graphical creation of Rao Gopal Rao talking to him is pretty bad. Whenever he mouths the dialogue, he brings liveliness to the movie. Of them, Sathya Raj as Mahesh Babu’s father is good but the actor one who steals the show is Rao Ramesh. The movie is filled with dozens of actors, many are seasoned stars. He radiates the screen with handsomeness and smile. His acting, his charm, his dialogue delivery…all are perfect to the core. He has portrayed his role with so much maturity. One can watch for him, avoiding all the happenings.
He has looked even younger and more handsome than ever. The film is shot n a rich scale (grander visuals, frames filled with seasoned actors). This is one of the richly made movies in the recent time. Despite the story and screenplay being weak, the movie shines on technical department. Most of the dialogue is too hard to comprehend. Although he takes us to various locations, we don’t feel awe. This idea on paper is actually great one but the director has killed it with his boring narration. In the second half we are introduced to Samantha and then hero heads off to finding seven generation of his family that is scattered all over North India. It is only the interval block that tugs at our heart with its emotional point. The situation of the audience is no different from this. Just before the interval, Ram Ramesh comments - “Entra life ante patalu padukovadam, kolatalu adukovdam.idena”.
Entire first half runs like this before the emotional interval bang comes. The movie begins with Samantha narrating how she met the hero and immediately we are taken to Mahesh Babu and his family that constantly sings songs, plays kolatam, performs kalyanam to Lord Venkeshwara.
It is more of an attempt to pass off some disjointed thoughts putting together as a movie. While the theme is grand, the narration is awkwardly tedious. This later part seems to have inspired by the famous novel Alex Haley’s “Roots: The Saga of an American Family”. The film has two different stories - first half of the film is Mahesh Babu and his father’s story and second half is about Mahesh finding his own family lineage back to its seven generations. While his last outing with Mahesh Babu - ‘Seethamma Vaakitlo Sirimalle Chettu’ focused on the bonding between two brothers, ‘Brahmotsavam’ delves on the relationship between a father and a son and a son finding out his roots. Right from his first movie ‘Kotha Bangaru Lokam’, director Sreekanth Addala has written the stories that are rooted in family structure. How Mahesh later goes on for finding rest of his long-lost relatives all over the India and how he unites the family forms the rest of the story. Already disgruntled Rao Ramesh can’t take it more and leaves from this joint family leading a huge turbulence in Mahesh’s life. His brother-in- law, who is already feeling low because all the credit is going to Sathya Raj, is hoping to marry off his daughter (Pranitha) to Mahesh Babu but Mahesh Babu falls in love with his father’s friend’s daughter Kasi (Kajal). While everything is seemed going perfectly in life as his grown up son played by Mahesh Babu also follows his path, he faces one problem from his brother-in- law cum business partner (Rao Ramesh).
#Brahmotsavam movie review fans full#
A rich industrialist in Vijayawada played by Sathya Raj has only one ambition in life - to live with all his extended family and lead life with full of celebrations and festivals.
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